NEWS
Hear ye!
Hear ye!
“The Tea on Robert” premieres in NYC with Pan Asian Repertory Theatre
June 14th 3pm
June 19th 7pm
Buy tickets here
Written and performed by Amy Pan! Synopsis: When her dream London vacation is complicated by the 1848 tea espionage—when England stole tea from China—third-grade teacher Cecilia Wang is torn between her idyllic adventures and classroom full of children she can no longer teach the same way."
Radio Violence Wins Best Fiction Podcast!
“A pop star with a penchant for Easter Eggs vanishes — and a 12-year-old superfan has to follow the tracks.
Amy Pan plays lead 12-year-old Lexi Bird.
Radio Violence wins Best Fiction and Runner-Up Best New Podcast for the 2025 DiscoverPod Awards!
DAYS OF YORE
“Elsewhere, Phebe (taking the place of As You Like It's Amiens) and her guitar serenade a discontented Jacques (one of several moments allowing Pan to show off her musical talent)…Pan lends Phebe a groundedness that contrasts her to the forest's other fool.”
Review: Same Arden, New Play with “Fools in the Forest”
— John R. Ziegler and Leah Richards from Thinking Theater NYC
“This play shows us the intense pressure that tears apart families. It also showed us a portrait of a multigenerational immigrant family in a way that we have never seen before…This is one of those views of an American family that you can’t get anywhere else.”
"Motherland By Amy Pan And Danielle Cummings Was A Very Moving Show”
— Rick and Dana Young-Howze
“Cummings’s direction is very good when focusing purely on Pan, who gives Gracie an interesting character trajectory through that one night, from being left alone as the year turns, to her confidence in her surroundings and self.”
Digital Review: Lobe Yourself (The National Women’s Theatre Festival)
— Louise Penn from Loureviews
“Amy Pan’s [Highlighter Girl] flows as naturally as a conversation with most siblings would, especially when discussing something like parental and societal expectations, race, and comparisons to each other. I was not drawn away from my screen at any point —a testament to just how engaging it was.”
"Theatre Reviews: Through the Ages: Girlhood, Groceries, and Grief”
— Destiny Whitaker